Showing posts with label Theresienmesse. Show all posts
Showing posts with label Theresienmesse. Show all posts

Thursday, July 7, 2016

Fine show; Ryan, Barton standouts

City Choir Dunedin. Photo credit Ian Thomson
Theresienmesse & Magnificat
Sunday 3 July 2016, Dunedin Town Hall

Two 18th-century choral works performed on Sunday afternoon by City Choir Dunedin under the direction of David Burchell with the Dunedin Symphony Orchestra gave the 85-strong group and four soloists a unique opportunity to shine.

The first half of the programme, C.P.E. Bach's Magnificat in D Major, is a slightly dated work, albeit one that the composer always regarded highly.

Tenor James Adams and bass Matthew Landreth seemed slightly tentative in this work; not so soprano Rebecca Ryan, substituting for Lois Johnston, who was unwell. Ryan turned in such a polished performance that it was difficult to believe that she had been called only a day earlier.

The pick of the soloists, though, was alto Claire Barton, whose duo with Adam seemed to lift his game, and her solo Suscepit Israel was a first-half highlight.

After the interval came Franz Joseph Haydn's Mass No. 12, Theresienmesse, the better of the two works. In it, the soloists work in unison with the choir rather than delivering long solos. This is an attractive technique, which has contributed to the popularity of the work since its debut in 1799.

Possibly because of this interweaving, the soloists all seemed more comfortable than in the Bach, with Ryan and Barton especially pleasing.

Throughout Theresienmesse, the choir gave a sterling performance, the hours of rehearsal showing in polished delivery.

The big disappointment was the thin attendance. The Dunedin Town Hall's acoustics work best with a larger audience and the concert would have been even better had more people made the effort to attend.

Review by Gillian Vine, The Star 7 July 2016.

Tuesday, May 10, 2016

Theresienmesse & Magnificat in July


Theresienmesse & Magnificat

Sunday 3 July 3:00 pm
Dunedin Town Hall


DAVID BURCHELL, conductor
CITY CHOIR DUNEDIN
DUNEDIN SYMPHONY ORCHESTRA
Soloists: Rebecca Ryan (soprano), Claire Barton (mezzo-soprano), James Adams (tenor), Matthew Landreth (bass)

FJ Haydn: Theresienmesse
CPE Bach: Magnificat

Haydn's Theresienmesse was composed late in his life, after his final ‘London’ symphonies, and a year after he completed both The Creation and the Missa in Angustiis or ‘Nelson Mass’, and it possesses similar qualities of tunefulness, variety, rhythmic energy, contrapuntal skill and colourful orchestration. It is a joyful festive work, written to celebrate the name-day of the wife of his patron Prince Esterhazy, and to demonstrate the high status of the Prince’s court at a time when Haydn was at the peak of his fame and creative powers.

Carl Philipp Emmanuel Bachʼs Magnificat is an extended setting of the Hymn of Mary, which is an integral part of the service of Vespers in both the Roman Catholic and Lutheran church. Composed for a festal occasion, this is an exuberant and tuneful work, with extended virtuosic and dramatic arias for each of the four soloists. It was his first major choral work, and was clearly inspired by his father Johann Sebastian’s setting of the same text; Bach returned to the work towards the end of his life, enhancing the orchestration and performing it several times.

Tickets are now on sale!