Monday, July 1, 2024

Stellar concert honours Matariki


Visions of Heaven

Friday 28 June 2024, St Paul's Cathedral

As part of the Dunedin Organ Festival and Puaka Matariki Festival, City Choir Dunedin, three soloists and guest organists presented Visions of Heaven to an appreciative audience in St Paul’s Cathedral on Friday.

"It is fabulous to have a full cathedral . . .to celebrate Matariki and the organ festival," conductor David Burchell said. 

The early evening concert began with the choir singing Stars by modern Latvian composer Eriks Esenvalds, the unusual accompaniment being tuned wineglasses.

Edward C. Bairstow’s Blessed City, Heavenly Salem followed, Christchurch organist Jeremy Woodside interpreting well to provide an excellent balance between organ, choir and soloists before Wellington organ student Max Toth took the console to present the charming and delicate In Paradisum by Theodore Dubois.

In a change of pace, soloists Cathy Sim (soprano), Alex McAdam (tenor) and John McAdam (bass) returned with the choir for Josef Haydn’s familiar The Heavens are Telling.

Woodside’s rendition of Apollo was an audience favourite, the organist presenting with aplomb this very demanding and extremely dramatic work by James Whitbourn, who died earlier this year.

Apollo is a remarkable composition, showing just what an organ can do, the instrument covering every aspect of the 1968 moon mission, from ear-blasting lift-off to the Genesis creation reading by the three astronauts on board.

In an attractive contrast, CCD presented a popular early 20th century choral work, Edgar Bainton’s And I Saw a New Heaven, then Sea-am Thompson, of Christchurch, played the stately and rather sombre Le Banquet Celeste by Olivier Messiaen before Burchell handed the baton to Mark Anderson.

Anderson, well-known as timpanist with the Dunedin Symphony Orchestra, conducted the choir while Burchell — who had arranged the orchestral work for the organ — played David Hamilton’s beautiful The Stars Above the Sea. Finally, marking the end of the concert, the choir presented unaccompanied Chris Artley’s Matariki, which as Burchell said, "rightly has become very popular since it was composed in 2020".

Burchell excels at assembling well-balanced programmes to highlight performers’ talents and Visions of Heaven was no exception. A stellar concert.

Review by Gillian Vine, The Star, 4 July 2024

Full house for celestial fare


Visions of Heaven

Friday 28 June 2024, St Paul's Cathedral

St Paul’s Cathedral was the venue for City Choir Dunedin’s midwinter concert on Friday evening, attracting a full house for a celestial musical programme of joy and peace to celebrate Matariki.

The event also gave performance opportunity for organists attending the New Zealand Organ Association Festival, and some magnificent organ textures accompanied the choral items. Heavenly titles and texts matched a theme of "Rising Stars" depicting both the universe and Christian heaven. David Burchell conducted and compered.

The programme began with Stars, by Eriks Esenvalds, an ethereal choral soundscape highlighted with extra sparkle by ringing wine glasses. Blessed City, Heavenly Salem by Edward Bairstow (1874-1946), an organist at York Minster, was full choral part-singing and featured organ accompanying from Jeremy Woodside (Wellington) and soloist soprano Cathy Sim.

Organ solos came from "rising star" organ scholars Max Toth in arpeggiated layers with overlaid lyrics of Theodore Dubois’ In Paradisum, and See-am Thompson with Le Banquet Celeste, by Messiaen, a subdued legato fabric from hands with short chordal sequences from the foot pedals.

Mark Anderson conducted The Stars Above the Sea, by David Hamilton. Burchell accompanied with his organ transcription of this movement from the 2020 seven-movement work for orchestra and choir.

The highlight of the programme was Woodside’s dramatic delivery of Apollo, by James Whitbourn. Woodside absolutely revelled in commanding the organ to interpret various sections of Apollo’s voyage into space from countdown, ignition, thunderous launching, views of Earth from space and the safe return to Earth marked with a final resounding perfect cadence.

Review by Elizabeth Bouman, Otago Daily Times, 1 July 2024

Thursday, March 28, 2024

Rousing performance of Bach classic


Bach's St John Passion

City Choir Dunedin, Dunedin Town Hall
Sunday 24 March 2024

Presented on Palm Sunday, J.S. Bach’s St John Passion was a memorable performance in German by a fired-up City Choir Dunedin under the baton of musical director David Burchell, who also played the harpsichord. Despite Covid reducing the ranks, more than 60 choir members joined soloists Iain Tetley, Patrick Shanahan, James Harrison, Caroline Burchell, Maaike Christie-Beekman and Lila Crichton on stage at the Dunedin Town Hall. Guest organist was John van Buskirk.

First performed on Good Friday in 1724, the Passion is based on two chapters of the Gospel of John, the final days and death of Christ.

Tenor Tetley took the pivotal role of the Evangelist, his clear diction vital in tracing events from the Garden of Gethsemane through Christ’s crucifixion to his burial.

Enhanced by the choral sections, the narration is interspersed with individual musical dialogue, principally from two basses Christ (Shanahan) and Pilate (Harrison). With Tetley, the three demonstrated superb balance and control in the questioning of Jesus by Pilate.

Alto Christie-Beekman as the maid gave a powerful rendition of Von den Stricken ("To release me from the bondage of my sinning") and then soprano Burchell enchanted the audience with her clarity and command in the moving aria I’ll Walk in Your Footsteps, accompanied by Dunedin Symphony Orchestra flautists.

Crichton gained in confidence as the story developed, his rich tenor a joy to the audience.

Christie-Beekman’s aria It is Finished, sung from memory, was a highlight — lead cellist David Murray playing the accompaniment to perfection.

The story is a long one, yet neither choir nor soloists flagged, tackling soaring arias and complex choral fugues with aplomb.

St John Passion ends with the choir’s uplifting Rest Well Holy Bones of the Saviour. City of Dunedin choir gave it everything they had, a fitting end to one of its best-ever performances.

It did Bach proud, unlike the two people in the audience whose cellphones rang during the concert.

Review by Gillian Vine, The Star, 28 March 2024