Mozart Requiem
Saturday 28 March 2015Knox Church
Soloists: soprano Lois Johnston, mezzo-soprano Claire Barton, tenor Matthew Wilson and baritone Robert Tucker
City Choir Dunedin, Southern Sinfonia
Conductor David Burchell
City Choir Dunedin, Southern Sinfonia invited soloists and organist Simon Mace presented two choral masterworks in Knox Church on Saturday evening, conducted by David Burchell.
The choir of more than 100 voices was in excellent form, with reasonable numbers in bass and tenor, and a noticeable presence of younger singers in all sections, promising a healthy future for this city choir.
In 1816 Franz Schubert wrote an oratorio in 12 short movements, focusing on the anguish of Mary, the Mother of Christ. Stabat Mater (D. 383) is a beautiful assemblage of Schubert minor keys, and the performance achieved tragic tones where appropriate to match the German text, with some striking contrasts and impressive dynamics.
Woodwind passages were particularly sensitive, often in tandem with a vocalist, as in Ach, was hatten wir empfunden for oboe and tenor. Soloists were Robert Tucker (baritone), Matthew Wilson (tenor) and Lois Johnston (soprano) whose delivery achieved fitting dominance in solo passages, such as "... together at the Last Judgement", where her final phrase rose triumphantly to soar above choir and instrumentalists.
Mozart's health was failing as he embarked on composing a requiem Mass.
History records interesting "facts and fiction" surrounding the work's editing and completion by others, and it survives as the great Requiem Mass in D minor K. 626. Saturday night's performance was a celebration of the legacy of beautiful music left to the world by Mozart.
Claire Barton (mezzo-soprano) joined the soloists, and quartet passages achieved good balance generally, with text conveying conviction and empathy.
Burchell drew inspirational dynamics with impressive contrasts from his choir and musicians. Passionate shading for Lacrymosa and massive jubilant tone for Sanctus were indeed highlights, filling the packed church venue with glorious sound.
Review by Elizabeth Bouman for the ODT, Monday 30 March 2015.
