Tuesday, April 16, 2019

The Life and Times of a Choral Society


We've had a Passion for singing for over 155 years!

But for the first 71 years, Bach's music was never sung. It wasn't until 1961, 98 years after the first Dunedin Messiah, that the Dunedin Choral Society performed the St Matthew Passion for the first time, under the direction of Professor Peter Platt.

Intrigued?

The Life and Times of a Choral Society
Now available! Price $45.00 (plus $7.00 postage & packaging for mail orders)

The book is available from City Choir Dunedin. To place an order email info@citychoirdunedin.org.nz or use the contact form at the bottom of the page. Pay by direct credit (internet banking) to the choir's account 03-0903-0383102-00 with your phone number and HISTORY in the reference fields.

Dunedin’s City Choir and its predecessors have been performing since Christmas Eve 1863, when selections from Messiah were presented to Dunedin by the newly-formed Philharmonic Society. Like every other New Zealand choral society its career has been a chequered one, but if it has not always been glorious, it is certainly a heroic tale of vision and determination to survive and flourish.

This definitive history, based on extensive archival research, removes the accretions of myth from the story of the Choir’s first 150 years, setting its activities in the context of the social and artistic fabric of the developing city and country.

Read Willie Campbel's review of the book (ODT, 12 August 2019).

Thursday, April 4, 2019

Bach performance 'fantastic'


St Matthew Passion - An Epic Musical Creation
Sunday 31 March, Dunedin Town Hall

Brenda Harwood, The Star, Thursday 4 April 2019

Monday, April 1, 2019

Massive musical undertaking delights


St Matthew Passion - An Epic Musical Creation
Sunday 31 March, Dunedin Town Hall

St Matthew Passion, by JS Bach, is a deeply moving oratorio requiring dramatic performances from all. Yesterday's performance in Dunedin Town Hall, conducted by David Burchell, showcased the choral majesty of Bach's music in a marathon of energy and passion.

This is not an easy work, demanding almost three hours' interpretation of emotional musical intensity, expressed in German, a foreign language to most of the performers.

The text outlines Christ's final days from various perspectives, with a narrator (Evangelist - Iain Tetley), Jesus (Scott Bezett) and other principal soloists - Lois Johnston (soprano), Claire Barton (contralto), Andrew Grenon (tenor) and Malcolm Leitch (bass) taking on different roles and characters to advance the storyline between full choral anthems from combined choirs - City Choir Dunedin, Christchurch City Choir, and Forte (Fairfield School) who added an extra timbre to harmonic textures of the big anthems in Part 1.

Dunedin Symphony Orchestra provided a 30-piece baroque orchestra, including three keyboard continuo performers, two oboes d'amore adding impressive gilding to some of the vocal solos, and a viola da gamba.

The overall performance was a credit to all participating. However, with the 160-voice choir, musical articulation and clarity of German was sometimes needy, but their balance, intonation, quality of tone and expression was excellent.

Tetley possesses a crisp clear tenor, with counter-tenor colouring, which is ideal for ``story-telling''.

Bezett, at age 21, was outstanding in his interpretation of the role of Jesus. His voice carried well, reflecting sound technique and hours of preparation.

Johnston and Barton often sing together, and the fine balance for their duet was a highlight.

Enthusiastic prolonged applause and endless comments of approval rewarded the performance.

Review in the ODT, 1 April 2019, by Elizabeth Bouman

Letters to the Editor of the Otago Daily Times

Bravo, maestros
A big thank-you to City Choir Dunedin, the six soloists and the Dunedin Symphony Orchestra, and of course the conductor David Burchell for the magnificent performance of the St Matthew Passion.
The dramatic music stirred the emotions, and I had tears in my eyes when the evangelist raises his voice when he imitates the crowing of the rooster.

But this is not an opera but church music which can inspire the listener to deep contemplation. So, please audience, do not applaud at the end of the performance. Bouquets of flowers to the conductor and soloists seem out of place, as this is not a concert.

Heinke Sommer-Matheson, Maori Hill, 3 April 2019

Marvellous music
I write to express deep appreciation of the performance of Bach's St Matthew Passion at Dunedin Town Hall on Sunday, 31 March. Grateful thanks are due to the combined choirs, the orchestra and soloists for heartfelt and disciplined music making.

That five cathedral organists were present says much for the respect we all give to David Burchell, conductor, Tessa Petersen, concertmaster, and all involved. The outstanding playing of Polly Sussex, viola da gamba, carried throughout the magnificent town hall and added authenticity.

Bach gives us much to contemplate in this Passiontide season, as for example when his music adorns the text: "As long as life lasts, we have a thousand thanks for Christ's sufferings, for having valued so highly the salvation of our souls." And out of suffering will soon come the joy and miracle of Easter Day!

Dr Raymond White, Invercargill, 8 April 2019