Monday, January 21, 2019

St Matthew Passion – An Epic Musical Creation


St Matthew Passion
Sunday 31 March 2019, 2:00 pm
Dunedin Town Hall


David Burchell, conductor
Soloists: Iain Tetley (Evangelist), Scott Bezett (Jesus), Lois Johnston (Soprano), Claire Barton (Alto), Andrew Grenon (Tenor), Malcolm Leitch (Bass)
City Choir Dunedin
Christchurch City Choir
Fairfield School Choir, Forte
Dunedin Symphony Orchestra

City Choir Dunedin is proud to present Bach’s epic work: St Matthew Passion. The resources for St Matthew Passion are huge, requiring a double choir, a large orchestra and seven soloists. Christchurch City Choir will join us to provide the second choir and they are excited to be involved in this most marvellous of works. The acclaimed soloists are Iain Tetley (Evangelist), Scott Bezett (Jesus), Lois Johnston (Soprano), Claire Barton (Alto), Andrew Grenon (Tenor) and Malcolm Leitch (Bass). The Dunedin Symphony Orchestra will provide orchestral support while David Burchell will conduct this highlight in Dunedin’s musical calendar. 

In the Middle Ages Christian churches began observing Holy Week by retelling the story of Christ’s crucifixion in music. Bible verses were set to chant melodies, with St Matthew Passion culminating in one of the most ambitious musical compositions of all time. 

Johann Sebastian Bach (1685-1750) composed his St Matthew Passion for the 1727 Good Friday service at St Thomas Church in Leipzig, Germany. The work is the largest single composition Bach ever wrote, both in terms of length and in terms of forces called for in the score. 

The story of the Passion begins in the turmoil of Jesus’s last days in Jerusalem and ends with his crucifixion and burial. The drama is brought to life by Bach’s musical expression of the Christian tenets of love, grace, and salvation. This epic work, perhaps Bach’s most personal, often moves from a moment of violent operatic drama to a solo aria, frozen in time, an utterance from deep inside the soul. 

The St Matthew Passion is one the greatest creations, revealing layers of meaning in the text. The great variety of music in the Passion is dramatic, passionate and emotional, and surprises abound. With more than 250 musicians on stage, this performance will be epic and one not to be missed.

Subscribe to the 2019 concert season as a Friend of the Choir to save up to 10% on single ticket prices!

Tuesday, January 1, 2019

Practising with YouTube

When using a YouTube video as a practice resource it is useful to know how to adjust the speed of the video. You might want to start slower and and then increase the speed as you become more familiar with the notes and the words.

Here is a short tutorial that may come in handy if you don't yet know how to adjust the speed.

1. Start the YouTube video and pause it (you can change the speed while it plays but to begin with you might want to pause it first).

2. Click on Settings, that is the wee cog in the right-hand bottom corner of the video player. If you hover over the cog you'll see the word "Settings" appear.

3. Once you have clicked on Settings, select Playback speed

4. From the speed options choose the speed you would like to try. Three-quarter speed = 0.75x the normal speed. If you go too low the sound gets distorted. Play around with the options until you find what works for you.

 5. If you don't like any of those options, click the Custom link and use the slider to select your optimal practice speed.


100 Carols for Choirs

Practice resources
100 Carols for Choirs edited and arranged by David Willcocks and John Rutter

Tip: How to adjust the video speed while practicing

Page 6 no 1 - A babe is born (William Mathias)


Page 26 no 5 - A spotless Rose (Herbert Howells)


Page 61 no 13 - Away in a manger (WJ Kirkpatrick arr. David Willcocks)


Page 62 no 14 - Nativity carol (John Rutter)


Page 82 no 18b - Ding dong! Merrily on high (arr. Charles Wood)


Page 83 no 19 - God rest you merry, gentlemen (arr. David Wilcocks)


Page 102 no 22 - Good King Wenceslas (arr. David Willcosks)


Page 107 no 23 - Hark! the herald-angels sing (Mendelssohn V. 3 arr. David Willcocks)


Page 124 no 26 - Here we come a-wassailing (arr. John Rutter)


Page 137 No 30 - I saw a maiden (arr. Edgar Pettman)

Page 154 no 35 - I saw three ships (arr. David Willcocks)


Page 164 no 37 - A merry Christmas (arr. Arthur Warrell)


Page 173 no 39 - In the bleak mid-winter (Gustav Holst)


Page 174 no 40 - In the bleak mid-winter (Harold Darke)


Page 202 no 47 - Joy to the world! (Lowell Mason, arr. John Rutter)


Page 212 no 51b - Coventry carol (arr. Martin Shaw)


Page 226 no 54 - O come, all ye faithful (JF Wade, arr. David Willcocks)

Page 233 no 56 - O little one sweet (harm. JS Bach)

Page 234 no 57 - O little town of Bethlehem (R Vaughan Williams and Thomas Armstrong)

Page 246 no 60 - The twelve days of Christmas (arr. John Rutter)


Page 260 no 61 - Once in royal David's city (HJ Gauntlett, arr. AH Mann, David Willcocks)


Page 262 no 62 - Once, as I remember (arr. Charles Wood)

Page 269 no 65 - Past three a clock (arr. Charles Wood)

Page 270 no 66 - Quelle est cette odeur agréable? / Whence is that goodly fragrance flowing? (arr. David Willcocks)

Page 302 no 74 - The Infant King (arr. David Willcocks)


Page 306 no 76 - Still, still, still (arr. Philip Ledger)


Page 316 no 80 - Joys seven (arr. Stephen Cleobury)


Page 323 no 81 - The first Nowell (arr. David Willcocks)

Page 328 no 82 - The holly and the ivy (arr. H Walford Davies)

Page 333 no 85 - There is a flower (John Rutter)


Page 357 no 92 - Unto us is born a Son (arr. David Willcocks)


Page 370 no 95 - Kings of Orient (J.H. Hopkins arr. David Willcocks)