These Lands Are Ours

Saturday 26 September 2015, 7:30 pm at Knox Church

Conductor: David Burchell
Violin soloist: Matthew Scadden
Dunedin Youth Orchestra
City Choir Dunedin

These Lands Are Ours is a concert exploring New Zealand's national identity with music by Lilburn, Mendelssohn, Callister, Mackenzie and Elgar. The performance features Dunedin Youth Orchestra Young Musician’s Award recipient Matthew Scadden on violin and premières the 2015 work that won the Audrey Reed Composition Prize, A Run in Ross Creek by Merlin Callister.

Besides the winning composition the programme includes Douglas Lilburn’s Drysdale Overture, the first movement of Felix Mendelssohn’s Violin Concerto in E Minor, Alexander Mackenzie's First Scottish Rhapsody, and the choir joins the orchestra for Edward Elgar’s cantata The Banner of St George.

Mendelssohn's Violin Concerto, composed in 1845, was well received and soon became regarded as one of the greatest violin concertos of all time. It remains popular to this day and has developed a reputation as an essential concerto for all aspiring concert violinists to master. We look forward to Matthew Scadden's solo performance with the orchestra.

Elgar’s Banner of St George is a dramatic presentation for choir and orchestra of the legend of St George and the dragon, the mythology behind the English flag.

Sea & Land concert review

Sea & Land
Saturday 8 August 2015
Knox Church

A choral programme which differed from its more customary repertoire was presented by City Choir Dunedin in Knox Church on Saturday evening, with St Kilda Brass Band, pianist Sandra Crawshaw, mezzo-soprano Claire Barton and tenor Samuel Madden. Conducting was David Burchell.

The evening began with Songs of Sea and Land, a selection of seven New Zealand folk songs arranged for choir with brass accompaniment especially for this occasion by Auckland composer David Hamilton.

The part-singing for these seafaring songs was quite demanding, and at times the brass accompaniment was overwhelming, but Lullaby, with prominent lyrics over softer harmonic brass texture, was very effective and highlights were Darling Johnny O and My Man's Gone with strong solo sections from Barton.

An a capella medley of Afrikaans folk songs (arr. Burchell) was well delivered with generally good balance and nuance.

The popular work by Constant Lambert, The Rio Grande (1972), is a setting of text by Sachacerell Sitwell.

Written for brass band, piano and choir, the work combines ragtime, syncopation and Brazilian influences.

The combination includes a demanding role for the pianist and Crawshaw was in her element, pounding out the syncopation with strength and virtuosity.

Fervent brass sections interspersed the choral text and the percussionists had a ball with this thrilling repertoire.

Three showy band pieces complemented the British folk song choral items of the second half of the programme.

Familiar tunes came with A North Country Fantasie, strong solo tenor from Madden in Brigg Fair and an interesting a capella arrangement of I Love My Love (Gustav Holst).

More mezzo lines were highlights and the final rollicking Green Grow the Rushes O provided an exhilarating finish to the evening.

Review by Elizabeth Bouman in the ODT, Monday 10 August 2015.